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Dvorak Te Deum Vocal Score

Vocal Scores for Dvorak's Te Deum


The popular vocal scores for Dvorak's Te Deum are shown below.  
Rehearsal recordings to help learn your voice part (Soprano, Alto, Tenor, Bass) are described below.
Full video version to hear the work in full is also below.








The Novello edition of Dvorak's Te Deum is in Latin for SATB

Vocal Scores Choral

Catalogue Number: NOV078573

ISBN: 9780711992023 

Please click here if you wish to order and further vocal score information

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The Edition Peters of Dvorak's Te Deum is in Latin for SATB 

Vocal Scores Choral

Catalogue Number: EP8702


Please click here if you wish to order and further vocal score information

Please order by 3pm to be despatched today




Dvorak came from a humble home; his father ran an inn and a butcher’s shop. Despite his son’s obvious musical talent there was little money to spare for music lessons, though Dvorak did learn the violin, played in local amateur orchestras and sang as a boy chorister in his local church choir. From these modest circumstances he rose to become a national hero, his country’s greatest composer and one of the most celebrated musicians in the world. He was decorated with many honours, his music was enthusiastically received wherever it was played and he was invited to visit all the major musical centres of Europe including England, where he was especially feted.
Across the Atlantic, the American cultural establishment was acutely aware that it did not have the musical heritage and institutions enjoyed by Europe and was keen to take steps to rectify the situation by establishing an American musical tradition. It was decided that a suitably distinguished figure to head the Conservatory would give weight and impetus to this objective, and so it was that in October 1891 Dvorak was appointed Director of the National Conservatory in New York, his duties to commence the following autumn. It had been a very exhausting year for Dvorak, so in January 1892 he decided to give himself a long rest before setting off for the United States. However, in June he received a request from Jeanette Thurber, the founder of the National Conservatory and soon to be his new employer, to write a cantata to celebrate the 400th anniversary of the discovery of America by Christopher Columbus. This would also be, she wrote, a celebration of Dvorak’s arrival. She would send him a suitable text immediately and the new work would receive its premiere on October 12th.
When the promised text failed to arrive, Dvorak became increasingly anxious that there might be insufficient time to write the piece before his departure. Naturally, he felt obliged to do his best to comply with Mrs Thurber’s request and so he turned instead to the great Latin hymn, Te Deum Laudamus, which was suitably festive and appealed to his deeply felt religious convictions. He sketched the work out in less than a week and had completed it by the end of July. It was not in fact performed at the Columbus celebrations for which it had been intended but received its first performance only a fortnight later, on 21st October 1892 at the New York Hall, with a choir of 250 singers conducted by Dvorak himself. I

Dvorak eventually received the text which Mrs Thurber had promised. It was called ‘The American Flag’. Dvorak dutifully set it to music but it is not considered to be amongst his better works. The Te Deum, on the other hand, though smaller in scale than the Stabat Mater, Requiem and the Mass, inspired him to write some of his finest music.
© John Bawden





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Please click here to hear a ChoraLine sample for Te Deum