Orff Carmina Burana Vocal Score
Vocal Scores for Orff's Carmina Burana
Carmina Burana is a scenic cantata composed by Carl Orff in 1935 and 1936 and It is based on 24 of the poems found in the medieval collection Carmina Burana.
The most popular vocal score for Orff's Carmina Burana is shown below.
Rehearsal recordings to help learn your voice part (Soprano, Alto, Tenor, Bass) are described below.
Full video version to hear the work in full is also below.
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Orff first encountered the text in John Addington Symonds's 1884 publication Wine, Women and Song, which included English translations of 46 poems from the collection. Michel Hofmann, a young law student and Latin and Greek enthusiast, assisted Orff in the selection and organization of 24 of these poems into a libretto, mostly in Latin verse, with a small amount of Middle High German and Old Provençal. The selection covers a wide range of topics, as familiar in the 13th century as they are in the 21st century: the fickleness of fortune and wealth, the ephemeral nature of life, the joy of the return of Spring, and the pleasures and perils of drinking, gluttony, gambling and lust.
Carmina Burana was first staged in Frankfurt by the Frankfurt Opera on June 8, 1937 (conductor: Bertil Wetzelsberger, choir Cäcilienchor, staging by Oskar Wälterlin and sets and costumes by Ludwig Sievert). Shortly after the greatly successful premiere, Orff wrote the following letter to his publisher, Schott Music:
"Everything I have written to date, and which you have, unfortunately, printed, can be destroyed. With Carmina Burana, my collected works begin."
Several performances were repeated elsewhere in Germany. The Nazi regime was at first nervous about the erotic tone of some of the poems, but eventually embraced the piece. It became the most famous piece of music composed in Germany at the time. The popularity of the work continued to rise after the war, and by the 1960s Carmina Burana was well established as part of the international classic repertory.
Alex Ross wrote that "the music itself commits no sins simply by being and remaining popular. That Carmina Burana has appeared in hundreds of films and television commercials is proof that it contains no diabolical message, indeed that it contains no message whatsoever."
The desire Orff expressed in the letter to his publisher has by and large been fulfilled: No other composition of his approaches its renown, as evidenced in both pop culture's appropriation of "O Fortuna" and the classical world's persistent programming and recording of the work. In the United States, Carmina Burana represents one of the few box office certainties in 20th-century music.
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If you wish to have a CD of Carmina Burana to hear the whole work please click here and please do click on the video below to listen right away if you wish